to preprints are included.
Synthesis with Distributed Modal Constraints', Acta Acustica united
with Acustica, Volume 98, Number 1, pp. 15-27(13), January/February 2012.
Motivated Environmental Sound Synthesis for Virtual Worlds’,
Springer EURASIP Journal on Audio, Speech, and Music Processing, Volume
2010, Article 6, January 2010.
CyberWhistle and O-Bow: Minimalist controllers inspired by traditional
instruments’, eContact 12.3, June 2010.
D. and Al-Akaidi, M., 'Ambisonic
Synthesis of Complex Sources', J. Audio Eng. Soc, October 2007.
D. and Al-Akaidi, M., 'Nearfield
Synthesis and Ambisonics', J Acoust Soc Am. March 2007.
D. and Mathews, G. J. 'An Axisymmetric,
Object-Based Search for a Flat Compact Dimension', J. Cosmol.
Astropart. Phys. JCAP10(2005)008, 2005. Also slides.
D. and Mathews, G. J. 'Peculiar
Velocity and Deaberration of the Sky', Astrophysics Journal, 624,
7, May 2005.
Instrument Control Dynamics', Organized Sound, Vol 7/3, April 2003.
- Menzies, D. 'Quasi Wave Field Synthesis : Efficient Driving Functions for Improved 2.5D Sound Field Reproduction', AES 52nd International Conference, University of Surrey September 2013. Full results are in these slides
D., Bramer, B., Chauhan, D. and Cuckow, M. 'New Developments in the
O-Bow', demonstration at Tangible Embedded Interfaces, Barcelona,
D. 'Horizontal Sound
Field Reproduction with Point Sources using
Distributed Constraints', in proceedings of the International
Conference on Spatial Audio, Detmold, Germany, November 10-13 2011.
Synthesis for General Enclosures', Ambisonic Symposium,
IRCAM Paris, May 5-7 2010. Extra material in slides.
Representation of Complex Sources in Reflective Environments’,
Proc. AES 128th International Convention, Paris, May 2010. Also studio test material.
D. 'Near-field HRTFs from
Point Source Representations', Ambisonic Symposium, IEM Graz, June
24-28 2009. Extra material in slides, and movies 3DFS N=6, 26
and VFoley, Physically Motivated Audio for Virtual Environments',
AES 35 International Conference, London, February 2009. More here.
D. 'Nearfield Binaural
Synthesis Report', Acoustics
08, Paris 2008.
D. 'Virtual Intimacy : Phya
as an instrument', New Interfaces for
Musical Expression, Genoa, June 2008. Also slides and sounds
Synthesis of Musical Sources ', International Symposium on Musical
Acosutics, Barcelona, September 2007.
Synthesis of Complex Sources with High-order Ambisonics, and Binaural
Rendering ', International Conference of Auditory Display,
Montreal, July 2007.
D. 'Physical audio for virtual
environments, Phya in review ', International Conference of
Auditory Display, Montreal, July 2007.
D. 'Perceptual Resonators For
Interactive Worlds', AES 22nd International Conference
on Virtual, Synthetic and Entertainment Audio, June 2002. Also slides and sounds.
D. 'W-panning and O-format, Tools
for object spatialization', AES 22nd International
Conference on Virtual, Synthetic and Entertainment Audio, June 2002. Also poster.
D. 'Scene Management For Modelled
Audio Objects in Interactive Worlds', International Conference on
Auditory Display, July 2002.
Howard, D. 'The CyberWhistle, An
Live Performance', Colloquium on Musical Informatics XII, Sept 1998.
D. 'LAmb, an Introduction and
Bourges Synthese, June 1997.
D. 'New Performance Instruments for
Electroacoustic Music', PhD thesis, University of York Electronics
Dept, 1998. (British Library 1999) Includes material not published
elsewhere, including recursive B-format reflection generation, and
B-format frequency spreading.
D. 'An Investigation into the Design of
Musical Performance Instruments', MSc Report,
University of York Electronics Dept, 1995.